Suzi Eszterhas: Wildlife Photographer

Yes­ter­day, I was lucky to lis­ten to Suzi Eszter­has talk about her expe­ri­ences and how she got into pho­tog­ra­phy. Some of the things she men­tioned were pretty eye-opening. The ded­i­ca­tion of pho­tog­ra­phers is some­thing a lot of us are aware of and are in awe of (have you not seen the ‘Planet Earth’ series?!). Still Pho­tog­ra­phy is no different.

Suzi spe­cial­izes in wildlife pho­tog­ra­phy and she works on sto­ries, not pic­tures. That is, she fol­lows a fam­ily, watches them grow up, watches them learn to hunt, migrate — every­thing! She spends many months, some­times years on a story! Briefly sum­ma­riz­ing some of the things that stuck in my head (and of course, there are so many par­al­lels to design or rather, prin­ci­ples which are applic­a­ble to design)

  • Under­stand your subject(user). Bears yawn when they are stressed while lions yawn when they are happy. A cru­cial dif­fer­ence to know.
  • Observe their daily rou­tine until you see pat­terns and can predict.
  • Do not abuse their trust. Once you lose their trust, it is a lot harder to win it back than it was to win it in the first place.
  • Even pros make mis­takes. A lot of them. But the expe­ri­ence and learn­ing from mis­takes helps them get over it fast.
  • She uses 1 in 1000 pho­tos (i.e. it is an out­stand­ing photo) and also remarked any pro who said oth­er­wise was lying.
  • She was very unaf­fected and mod­est. Asked how she man­aged to cap­ture some amaz­ing pic­tures, she attrib­uted a lot to luck, under­play­ing the amount of time she waited for that one shot. While on photo we see the “moment”, which is the per­fect shot, there’s hours and hours of wait­ing, of posi­tion­ing, of being aware and ready. And all her expe­ri­ence and knowl­edge from under­stand­ing her sub­jects play into this.

Amaz­ing pho­tos and talk. I highly rec­om­mend check­ing her site out.

Update: One of the not-for-profit orga­ni­za­tions Suzi vets is called Wildlife Direct. The prob­lems of poach­ing, wildlife endan­ger­ment, loss of bio­log­i­cal diver­sity is unchecked due to lack of fund­ing. And there are a lot of grass-roots level orga­ni­za­tions which make many small pocket areas safe. And wildlife direct ensures that your money gets to them, with­out tak­ing a cut.

Another thing she men­tioned and I am inter­pret­ing — if you want to leave a small foot­print when you visit Africa, visit one of the expen­sive resorts. They are expen­sive for a rea­son. In East Africa, a resort might accom­mo­date 200 beds. In these resorts, there might be 30. So, it will be more expen­sive. But you are not gonna tor­ture ani­mals by hound­ing them in these places, as you might in over-crowded locales. She rec­om­mends Botswana coz they do a lot of things right.

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  • Sun­deep

    Good one.

    One of the rea­sons I stick with land­scape pho­tograhy is that lot of things doesn’t move!

  • http://twitter.com/arv43 arv43

    haha. yeah, that is true. But one of the things I’ve real­ized dur­ing the few times I’ve gone on photo ses­sions are a. sun­set is amaz­ing b. it is actu­ally the 15 or so min­utes AFTER the sun has set that presents great oppor­tu­ni­ties (rather than the actual sun­set). what about you? do you have any ideal con­di­tions, or just when­ever you are out there?

    Me and my friend Reddy man­aged to get a set of amaz­ing pho­tos while more pro­fes­sional look­ing guys left right after sun­set, not get­ting any shots.

  • http://sundeepd.tumblr.com/ Sun­deep

    Absolutely right! (about ideal con­di­tion) it requires wak­ing up early or stay­ing late, both I can­not afford right now. I wish I could spend more time on photography :(